CHARACTER

The Full Process of Character Design

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CHARACTER

The Full Process of Character Design

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What you will learn

learning objectives

Briefs & gathering references

Thumbnails & silhouettes

Creating 3D blockouts

Paintover technique

Detailing and Hierarchy

Portfolio presentation strategies

Key details about this course

Level

Intermediate to Advanced

Duration

11 hours, 13 minutes

Language

English

Subtitles

English, Portuguese, French, Spanish, Hindi, Chinese (Simplified)

Software used

Photoshop, Blender, PureRef, Daz3D

Category

Character Design

Mentorship compatible

Yes

Last updated

Jan 2026

16 hours, 32 minutes

Duration

Free

Discord Chat

4-5 days

Assignment Delivery

MENTOR WORK

mentor portfolio

Course Overview

Artists get stuck polishing details before they’ve solved the design. In this course, we flip that process. Ricardo teaches you the power of Simplicity and Intent, focusing on the core identity of the character before worrying about the rendering.

This is a complete breakdown of the modern hybrid workflow. You will learn to think like a concept artist, using 3D blockouts to solve complex lighting and perspective problems instantly, so you can focus on what matters: the storytelling.

This course is built on actionable steps. You won't just watch, you will build. You’ll start by analyzing briefings and gathering references, move into "MVP sketches" to find the character's soul, and then use Blender to construct a physical, lit environment for your final paint-over.

Key Takeaways:

Design with Intent: Learn to control where the viewer looks using contrast and value logic.
3D as a Sketch Tool: How to set up lighting, materials, and VFX in Blender to create a solid base for your final image.
Client-Ready Process: From handling the initial brief to delivering a final, portfolio-ready render.

hero

design

character

CHAPTERS

Course Structure

CHAPTER 0: Artist Introduction

6 lectures

0h28

CHAPTER 0: Artist Introduction

6 lectures

0h28

CHAPTER 1: Course Introduction

4 lectures

0h16

INTRO CHAPTER 1

0:53

01 THE POWER OF SIMPLICITY

6:01

02 ALWAYS ACTIONABLE

4:26

03 PRESENTING THE PHASES

5:47

CHAPTER 1: Course Introduction

4 lectures

0h16

INTRO CHAPTER 1

0:53

01 THE POWER OF SIMPLICITY

6:01

02 ALWAYS ACTIONABLE

4:26

03 PRESENTING THE PHASES

5:47

CHAPTER 2: Design Intent

6 lectures

1h43

CHAPTER 2: Design Intent

6 lectures

1h43

CHAPTER 3: Briefs and Refs

4 lectures

0h18

CHAPTER 3: Briefs and Refs

4 lectures

0h18

CHAPTER 4: Building The Blueprint

11 lectures

2h47

CHAPTER 4: Building The Blueprint

11 lectures

2h47

CHAPTER 5: 3D Bockout

13 lectures

3h24

CHAPTER 5: 3D Bockout

13 lectures

3h24

CHAPTER 6: Refined 3D

13 lectures

4h13

CHAPTER 6: Refined 3D

13 lectures

4h13

CHAPTER 7: Back to 2D

10 lectures

3h23

CHAPTER 7: Back to 2D

10 lectures

3h23

Meet your mentor

Ricardo Padierne

Degenesis, Titankill, Falcon

Spain

From

SIXMOREVODKA

NETEASE

I am a principal character designer for narrative games, specializing in grounded figures that bridge storytelling and production. Collaborating with studios like Sixmorevodka, I focus on clarity and silhouette to turn loose ideas into functional designs.

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Assignments

WHAT YOU WILL BUILD DURING THIS COURSE

Assignment 1 Description
You will create a character concept rooted in a strong written briefing and key visual points. In the demo, I have explored an 'Ice Berserk' archetype, but feel free to adapt this workflow to a genre or character class that inspires you. The most important aspect is that your concept begins with words before images; allow your references to 'bleed' naturally from your chosen visual keywords. When gathering your mass of references, it is essential to build a 'cast' of faces and poses—remember that in character design, acting is king. Once you have your library, organize it into three distinct reference boards, with one board dedicated to each potential sketch. Take time at each step, whether it is refining your keywords or curating your acting references. There is no rush. The techniques used here are meant to structure your chaos and help you explore different iterations. Try to personify your design and put some of yourself and your interests into the character to bring the most out of it!
Assignment 2 Description
You will create three distinct design explorations based on the separate reference boards you prepared in the previous step. In my demo, I have taken the same base character concept and defined them with attached subroles—showing a 'Slick/Agile' version, a standard 'Berserk' version, and a 'Leader' archetype—but feel free to delimit your own subdefinitions to fit your goals. The most important aspect is that while it remains the same character, these three sketches must feel distinct from one another, heavily influenced by their specific briefing board. Take time with each sketch to ensure the specific subrole is clearly communicated through their pose, silhouette, and equipment. There is no rush. This step is meant to challenge the flexibility of your core concept. Try to push the unique identity of each variation to bring the most out of your design!
Assignment 3 Description
You will select your strongest design from the previous explorations and translate it into 3D, building the base blockout. In my demo, I have moved forward with the 'Leader' archetype, but choose the sketch that you feel has the most potential. The most important goal here is not high-frequency detail, but capturing the correct volumes, proportions, and silhouette that you established in 2D. Interpreting a drawing into three-dimensional space requires problem-solving; you are building the foundation upon which everything else will stand. Take your time to ensure the 'attitude' of the sketch survives the transition to 3D. There is no rush. A solid blockout now will save you hours of headache later. Focus on the primary forms and make sure your character feels grounded!
Assignment 4 Description
You will take your solid 3D blockout to its final state, refining the textures, volumes, and overall design language. In my demo, I have transformed flat colors into realistic materials, defining the icy crystals, heavy fur, and worn leather, but feel free to push your own chosen style and rendering techniques. The most important goal is that the concept you started with is now fully realized using advanced 3D tools. Take time at this final step; texturing, lighting, and refining details are long processes, but they are absolutely worth the time invested to make your character truly shine. There is no rush. Focus on pushing the quality of materials and atmospheric lighting to bring the absolute most out of your design!
Assignment 1 Description
You will create a character concept rooted in a strong written briefing and key visual points. In the demo, I have explored an 'Ice Berserk' archetype, but feel free to adapt this workflow to a genre or character class that inspires you. The most important aspect is that your concept begins with words before images; allow your references to 'bleed' naturally from your chosen visual keywords. When gathering your mass of references, it is essential to build a 'cast' of faces and poses—remember that in character design, acting is king. Once you have your library, organize it into three distinct reference boards, with one board dedicated to each potential sketch. Take time at each step, whether it is refining your keywords or curating your acting references. There is no rush. The techniques used here are meant to structure your chaos and help you explore different iterations. Try to personify your design and put some of yourself and your interests into the character to bring the most out of it!
Assignment 2 Description
You will create three distinct design explorations based on the separate reference boards you prepared in the previous step. In my demo, I have taken the same base character concept and defined them with attached subroles—showing a 'Slick/Agile' version, a standard 'Berserk' version, and a 'Leader' archetype—but feel free to delimit your own subdefinitions to fit your goals. The most important aspect is that while it remains the same character, these three sketches must feel distinct from one another, heavily influenced by their specific briefing board. Take time with each sketch to ensure the specific subrole is clearly communicated through their pose, silhouette, and equipment. There is no rush. This step is meant to challenge the flexibility of your core concept. Try to push the unique identity of each variation to bring the most out of your design!
Assignment 3 Description
You will select your strongest design from the previous explorations and translate it into 3D, building the base blockout. In my demo, I have moved forward with the 'Leader' archetype, but choose the sketch that you feel has the most potential. The most important goal here is not high-frequency detail, but capturing the correct volumes, proportions, and silhouette that you established in 2D. Interpreting a drawing into three-dimensional space requires problem-solving; you are building the foundation upon which everything else will stand. Take your time to ensure the 'attitude' of the sketch survives the transition to 3D. There is no rush. A solid blockout now will save you hours of headache later. Focus on the primary forms and make sure your character feels grounded!
Assignment 4 Description
You will take your solid 3D blockout to its final state, refining the textures, volumes, and overall design language. In my demo, I have transformed flat colors into realistic materials, defining the icy crystals, heavy fur, and worn leather, but feel free to push your own chosen style and rendering techniques. The most important goal is that the concept you started with is now fully realized using advanced 3D tools. Take time at this final step; texturing, lighting, and refining details are long processes, but they are absolutely worth the time invested to make your character truly shine. There is no rush. Focus on pushing the quality of materials and atmospheric lighting to bring the absolute most out of your design!
Assignment 1 Description
You will create a character concept rooted in a strong written briefing and key visual points. In the demo, I have explored an 'Ice Berserk' archetype, but feel free to adapt this workflow to a genre or character class that inspires you. The most important aspect is that your concept begins with words before images; allow your references to 'bleed' naturally from your chosen visual keywords. When gathering your mass of references, it is essential to build a 'cast' of faces and poses—remember that in character design, acting is king. Once you have your library, organize it into three distinct reference boards, with one board dedicated to each potential sketch. Take time at each step, whether it is refining your keywords or curating your acting references. There is no rush. The techniques used here are meant to structure your chaos and help you explore different iterations. Try to personify your design and put some of yourself and your interests into the character to bring the most out of it!
Assignment 2 Description
You will create three distinct design explorations based on the separate reference boards you prepared in the previous step. In my demo, I have taken the same base character concept and defined them with attached subroles—showing a 'Slick/Agile' version, a standard 'Berserk' version, and a 'Leader' archetype—but feel free to delimit your own subdefinitions to fit your goals. The most important aspect is that while it remains the same character, these three sketches must feel distinct from one another, heavily influenced by their specific briefing board. Take time with each sketch to ensure the specific subrole is clearly communicated through their pose, silhouette, and equipment. There is no rush. This step is meant to challenge the flexibility of your core concept. Try to push the unique identity of each variation to bring the most out of your design!
Assignment 3 Description
You will select your strongest design from the previous explorations and translate it into 3D, building the base blockout. In my demo, I have moved forward with the 'Leader' archetype, but choose the sketch that you feel has the most potential. The most important goal here is not high-frequency detail, but capturing the correct volumes, proportions, and silhouette that you established in 2D. Interpreting a drawing into three-dimensional space requires problem-solving; you are building the foundation upon which everything else will stand. Take your time to ensure the 'attitude' of the sketch survives the transition to 3D. There is no rush. A solid blockout now will save you hours of headache later. Focus on the primary forms and make sure your character feels grounded!
Assignment 4 Description
You will take your solid 3D blockout to its final state, refining the textures, volumes, and overall design language. In my demo, I have transformed flat colors into realistic materials, defining the icy crystals, heavy fur, and worn leather, but feel free to push your own chosen style and rendering techniques. The most important goal is that the concept you started with is now fully realized using advanced 3D tools. Take time at this final step; texturing, lighting, and refining details are long processes, but they are absolutely worth the time invested to make your character truly shine. There is no rush. Focus on pushing the quality of materials and atmospheric lighting to bring the absolute most out of your design!
Assignment 1 Description
You will create a character concept rooted in a strong written briefing and key visual points. In the demo, I have explored an 'Ice Berserk' archetype, but feel free to adapt this workflow to a genre or character class that inspires you. The most important aspect is that your concept begins with words before images; allow your references to 'bleed' naturally from your chosen visual keywords. When gathering your mass of references, it is essential to build a 'cast' of faces and poses—remember that in character design, acting is king. Once you have your library, organize it into three distinct reference boards, with one board dedicated to each potential sketch. Take time at each step, whether it is refining your keywords or curating your acting references. There is no rush. The techniques used here are meant to structure your chaos and help you explore different iterations. Try to personify your design and put some of yourself and your interests into the character to bring the most out of it!
Assignment 2 Description
You will create three distinct design explorations based on the separate reference boards you prepared in the previous step. In my demo, I have taken the same base character concept and defined them with attached subroles—showing a 'Slick/Agile' version, a standard 'Berserk' version, and a 'Leader' archetype—but feel free to delimit your own subdefinitions to fit your goals. The most important aspect is that while it remains the same character, these three sketches must feel distinct from one another, heavily influenced by their specific briefing board. Take time with each sketch to ensure the specific subrole is clearly communicated through their pose, silhouette, and equipment. There is no rush. This step is meant to challenge the flexibility of your core concept. Try to push the unique identity of each variation to bring the most out of your design!
Assignment 3 Description
You will select your strongest design from the previous explorations and translate it into 3D, building the base blockout. In my demo, I have moved forward with the 'Leader' archetype, but choose the sketch that you feel has the most potential. The most important goal here is not high-frequency detail, but capturing the correct volumes, proportions, and silhouette that you established in 2D. Interpreting a drawing into three-dimensional space requires problem-solving; you are building the foundation upon which everything else will stand. Take your time to ensure the 'attitude' of the sketch survives the transition to 3D. There is no rush. A solid blockout now will save you hours of headache later. Focus on the primary forms and make sure your character feels grounded!
Assignment 4 Description
You will take your solid 3D blockout to its final state, refining the textures, volumes, and overall design language. In my demo, I have transformed flat colors into realistic materials, defining the icy crystals, heavy fur, and worn leather, but feel free to push your own chosen style and rendering techniques. The most important goal is that the concept you started with is now fully realized using advanced 3D tools. Take time at this final step; texturing, lighting, and refining details are long processes, but they are absolutely worth the time invested to make your character truly shine. There is no rush. Focus on pushing the quality of materials and atmospheric lighting to bring the absolute most out of your design!

Assignment 1 Description
You will create a character concept rooted in a strong written briefing and key visual points. In the demo, I have explored an 'Ice Berserk' archetype, but feel free to adapt this workflow to a genre or character class that inspires you. The most important aspect is that your concept begins with words before images; allow your references to 'bleed' naturally from your chosen visual keywords. When gathering your mass of references, it is essential to build a 'cast' of faces and poses—remember that in character design, acting is king. Once you have your library, organize it into three distinct reference boards, with one board dedicated to each potential sketch. Take time at each step, whether it is refining your keywords or curating your acting references. There is no rush. The techniques used here are meant to structure your chaos and help you explore different iterations. Try to personify your design and put some of yourself and your interests into the character to bring the most out of it!
Assignment 2 Description
You will create three distinct design explorations based on the separate reference boards you prepared in the previous step. In my demo, I have taken the same base character concept and defined them with attached subroles—showing a 'Slick/Agile' version, a standard 'Berserk' version, and a 'Leader' archetype—but feel free to delimit your own subdefinitions to fit your goals. The most important aspect is that while it remains the same character, these three sketches must feel distinct from one another, heavily influenced by their specific briefing board. Take time with each sketch to ensure the specific subrole is clearly communicated through their pose, silhouette, and equipment. There is no rush. This step is meant to challenge the flexibility of your core concept. Try to push the unique identity of each variation to bring the most out of your design!
Assignment 3 Description
You will select your strongest design from the previous explorations and translate it into 3D, building the base blockout. In my demo, I have moved forward with the 'Leader' archetype, but choose the sketch that you feel has the most potential. The most important goal here is not high-frequency detail, but capturing the correct volumes, proportions, and silhouette that you established in 2D. Interpreting a drawing into three-dimensional space requires problem-solving; you are building the foundation upon which everything else will stand. Take your time to ensure the 'attitude' of the sketch survives the transition to 3D. There is no rush. A solid blockout now will save you hours of headache later. Focus on the primary forms and make sure your character feels grounded!
Assignment 4 Description
You will take your solid 3D blockout to its final state, refining the textures, volumes, and overall design language. In my demo, I have transformed flat colors into realistic materials, defining the icy crystals, heavy fur, and worn leather, but feel free to push your own chosen style and rendering techniques. The most important goal is that the concept you started with is now fully realized using advanced 3D tools. Take time at this final step; texturing, lighting, and refining details are long processes, but they are absolutely worth the time invested to make your character truly shine. There is no rush. Focus on pushing the quality of materials and atmospheric lighting to bring the absolute most out of your design!
Assignment 1 Description
You will create a character concept rooted in a strong written briefing and key visual points. In the demo, I have explored an 'Ice Berserk' archetype, but feel free to adapt this workflow to a genre or character class that inspires you. The most important aspect is that your concept begins with words before images; allow your references to 'bleed' naturally from your chosen visual keywords. When gathering your mass of references, it is essential to build a 'cast' of faces and poses—remember that in character design, acting is king. Once you have your library, organize it into three distinct reference boards, with one board dedicated to each potential sketch. Take time at each step, whether it is refining your keywords or curating your acting references. There is no rush. The techniques used here are meant to structure your chaos and help you explore different iterations. Try to personify your design and put some of yourself and your interests into the character to bring the most out of it!
Assignment 2 Description
You will create three distinct design explorations based on the separate reference boards you prepared in the previous step. In my demo, I have taken the same base character concept and defined them with attached subroles—showing a 'Slick/Agile' version, a standard 'Berserk' version, and a 'Leader' archetype—but feel free to delimit your own subdefinitions to fit your goals. The most important aspect is that while it remains the same character, these three sketches must feel distinct from one another, heavily influenced by their specific briefing board. Take time with each sketch to ensure the specific subrole is clearly communicated through their pose, silhouette, and equipment. There is no rush. This step is meant to challenge the flexibility of your core concept. Try to push the unique identity of each variation to bring the most out of your design!
Assignment 3 Description
You will select your strongest design from the previous explorations and translate it into 3D, building the base blockout. In my demo, I have moved forward with the 'Leader' archetype, but choose the sketch that you feel has the most potential. The most important goal here is not high-frequency detail, but capturing the correct volumes, proportions, and silhouette that you established in 2D. Interpreting a drawing into three-dimensional space requires problem-solving; you are building the foundation upon which everything else will stand. Take your time to ensure the 'attitude' of the sketch survives the transition to 3D. There is no rush. A solid blockout now will save you hours of headache later. Focus on the primary forms and make sure your character feels grounded!
Assignment 4 Description
You will take your solid 3D blockout to its final state, refining the textures, volumes, and overall design language. In my demo, I have transformed flat colors into realistic materials, defining the icy crystals, heavy fur, and worn leather, but feel free to push your own chosen style and rendering techniques. The most important goal is that the concept you started with is now fully realized using advanced 3D tools. Take time at this final step; texturing, lighting, and refining details are long processes, but they are absolutely worth the time invested to make your character truly shine. There is no rush. Focus on pushing the quality of materials and atmospheric lighting to bring the absolute most out of your design!
Assignment 1 Description
You will create a character concept rooted in a strong written briefing and key visual points. In the demo, I have explored an 'Ice Berserk' archetype, but feel free to adapt this workflow to a genre or character class that inspires you. The most important aspect is that your concept begins with words before images; allow your references to 'bleed' naturally from your chosen visual keywords. When gathering your mass of references, it is essential to build a 'cast' of faces and poses—remember that in character design, acting is king. Once you have your library, organize it into three distinct reference boards, with one board dedicated to each potential sketch. Take time at each step, whether it is refining your keywords or curating your acting references. There is no rush. The techniques used here are meant to structure your chaos and help you explore different iterations. Try to personify your design and put some of yourself and your interests into the character to bring the most out of it!
Assignment 2 Description
You will create three distinct design explorations based on the separate reference boards you prepared in the previous step. In my demo, I have taken the same base character concept and defined them with attached subroles—showing a 'Slick/Agile' version, a standard 'Berserk' version, and a 'Leader' archetype—but feel free to delimit your own subdefinitions to fit your goals. The most important aspect is that while it remains the same character, these three sketches must feel distinct from one another, heavily influenced by their specific briefing board. Take time with each sketch to ensure the specific subrole is clearly communicated through their pose, silhouette, and equipment. There is no rush. This step is meant to challenge the flexibility of your core concept. Try to push the unique identity of each variation to bring the most out of your design!
Assignment 3 Description
You will select your strongest design from the previous explorations and translate it into 3D, building the base blockout. In my demo, I have moved forward with the 'Leader' archetype, but choose the sketch that you feel has the most potential. The most important goal here is not high-frequency detail, but capturing the correct volumes, proportions, and silhouette that you established in 2D. Interpreting a drawing into three-dimensional space requires problem-solving; you are building the foundation upon which everything else will stand. Take your time to ensure the 'attitude' of the sketch survives the transition to 3D. There is no rush. A solid blockout now will save you hours of headache later. Focus on the primary forms and make sure your character feels grounded!
Assignment 4 Description
You will take your solid 3D blockout to its final state, refining the textures, volumes, and overall design language. In my demo, I have transformed flat colors into realistic materials, defining the icy crystals, heavy fur, and worn leather, but feel free to push your own chosen style and rendering techniques. The most important goal is that the concept you started with is now fully realized using advanced 3D tools. Take time at this final step; texturing, lighting, and refining details are long processes, but they are absolutely worth the time invested to make your character truly shine. There is no rush. Focus on pushing the quality of materials and atmospheric lighting to bring the absolute most out of your design!
Assignment 1 Description
You will create a character concept rooted in a strong written briefing and key visual points. In the demo, I have explored an 'Ice Berserk' archetype, but feel free to adapt this workflow to a genre or character class that inspires you. The most important aspect is that your concept begins with words before images; allow your references to 'bleed' naturally from your chosen visual keywords. When gathering your mass of references, it is essential to build a 'cast' of faces and poses—remember that in character design, acting is king. Once you have your library, organize it into three distinct reference boards, with one board dedicated to each potential sketch. Take time at each step, whether it is refining your keywords or curating your acting references. There is no rush. The techniques used here are meant to structure your chaos and help you explore different iterations. Try to personify your design and put some of yourself and your interests into the character to bring the most out of it!
Assignment 2 Description
You will create three distinct design explorations based on the separate reference boards you prepared in the previous step. In my demo, I have taken the same base character concept and defined them with attached subroles—showing a 'Slick/Agile' version, a standard 'Berserk' version, and a 'Leader' archetype—but feel free to delimit your own subdefinitions to fit your goals. The most important aspect is that while it remains the same character, these three sketches must feel distinct from one another, heavily influenced by their specific briefing board. Take time with each sketch to ensure the specific subrole is clearly communicated through their pose, silhouette, and equipment. There is no rush. This step is meant to challenge the flexibility of your core concept. Try to push the unique identity of each variation to bring the most out of your design!
Assignment 3 Description
You will select your strongest design from the previous explorations and translate it into 3D, building the base blockout. In my demo, I have moved forward with the 'Leader' archetype, but choose the sketch that you feel has the most potential. The most important goal here is not high-frequency detail, but capturing the correct volumes, proportions, and silhouette that you established in 2D. Interpreting a drawing into three-dimensional space requires problem-solving; you are building the foundation upon which everything else will stand. Take your time to ensure the 'attitude' of the sketch survives the transition to 3D. There is no rush. A solid blockout now will save you hours of headache later. Focus on the primary forms and make sure your character feels grounded!
Assignment 4 Description
You will take your solid 3D blockout to its final state, refining the textures, volumes, and overall design language. In my demo, I have transformed flat colors into realistic materials, defining the icy crystals, heavy fur, and worn leather, but feel free to push your own chosen style and rendering techniques. The most important goal is that the concept you started with is now fully realized using advanced 3D tools. Take time at this final step; texturing, lighting, and refining details are long processes, but they are absolutely worth the time invested to make your character truly shine. There is no rush. Focus on pushing the quality of materials and atmospheric lighting to bring the absolute most out of your design!

STUDENT SHOWCASE

See how students are interpreting the briefs and executing the pipeline. Upload your own results via our Discord channel.

Join Our discord

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Questions & Answers

Emilie offers 1-on-1 sessions focused on:

How are your Masterclasses produced?

We take a "slow-cooking" approach to education. Each Masterclass is the result of a rigorous 6 to 9-month collaboration with the artist. We believe in capturing the artist in their element, so roughly half of the course is recorded from the comfort of their own home studio—allowing them to dive deep into technical demonstrations without distraction. The other half is produced in our studio in Paris, where we work with them to structure the curriculum, film high-quality interviews, and ensure the teaching methodology is crystal clear.

Will these courses actually help me get a job? 

That’s our ultimate goal, yes. Every course and mentorship is designed with industry outcomes in mind. That means we teach the skills and workflows studios are looking for, from foundational stuff like perspective, form language, and iteration, to pipeline skills like kitbashing 3D models or paint-over techniques for speed. Importantly, we focus on helping you create portfolio pieces that stand out. By the time you finish a course, you should have at least one solid project for your portfolio, and if you go through a full track of courses or a mentorship, you’ll be assembling a portfolio tailored to the role you want. We also cover professional development topics (e.g. how to present your portfolio, how to handle feedback, etc.). In our community, we regularly share job postings and even conduct portfolio reviews and mock interviews. Ultimately, your effort + our guidance = the result. We can’t guarantee a job (no school can), but we can confidently say we give you the training you need to build a job-winning portfolio.

Do I need any prior skills or software knowledge? 

Not much, but you do need drive. We designed our courses so that a motivated beginner can follow along, but some basic drawing experience helps. You should be familiar with fundamental art concepts like perspective and lighting (even at a rudimentary level) and comfortable with digital art software (Adobe Photoshop is most common in our workflow). Don’t worry if you’re new to certain tools, we often include intro lessons for software, and our community will help you pick up technical skills. The key is having strong fundamentals and willingness to learn. If you’re starting from zero art knowledge, we might recommend you do a bit of basic drawing practice first, but many of our beginners have been self-taught hobbyists before they join. As for hardware/software: a drawing tablet and a computer that can run art programs are essential; specific course tool requirements (like Blender for a 3D heavy course) will be noted in the course info, but generally Photoshop or an equivalent is used for most 2D concept art courses.

What is the difference between a Masterclass and a Live Class?

A Masterclass is a pre-recorded, self-paced product. Once you buy it, you have lifetime access to watch it whenever and wherever you want. A Live Class is a time-sensitive event with a fixed schedule (usually 6-8 weeks) where you learn alongside a cohort of students and the instructor in real-time.