$313

$250

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Limited time launch: "CORE20" for 20% off

ENVIRONMENT

Stylized Architecture

Stylized Architecture

$313

$250

BUY

Limited time launch: "CORE20" for 20% off

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ENVIRONMENT

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Stylized Architecture

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What you will learn

learning objectives

Analyze stylization and visual fundamentals

Simplify complex forms for readability

References for narrative design

Professional 2D painting workflows

Architecture with storytelling details

Use 3D for stylized artworks

Key details about this course

Level

Beginner to Intermediate

Duration

8 hours, 54 minutes

Language

English

Subtitles

English, Portuguese, French, Spanish, Hindi, Chinese (Simplified)

Software used

Photoshop, Blender

Category

Architecture / Stylization

Mentorship compatible

Yes

Last updated

Jan 2026

10 hours, 41 minutes

Duration

Free

Discord Chat

4-5 days

Assignment Delivery

MENTOR WORK

mentor portfolio

Course Overview

Architecture is the intersection of function, technique, and culture. To create believing worlds, an artist must understand why a building exists, not just how it looks.

This course guides concept artists through the "Stylization Spectrum," mastering the fundamentals of Value, Color, and Shape to tell stories through design.

Analysis & Simplification: Learn to deconstruct history and art. We focus on reducing visual noise and grouping values to create readable, strong designs. You will learn to understand techniques from masters to build your own visual library.
The Professional 2D Workflow: Master a non-destructive process. From gathering meaningful references to the final polish, we cover specific techniques using selections, masks, and lighting layers. We emphasize storytelling through detail, using wear and tear to give your structure a history.
3D Integration & Paintover: Modernize your pipeline. You will learn to sketch specifically for a 3D base, block out scenes in Blender, and master the Paintover. We teach you how to break the sterile "perfect" look of 3D using broad strokes and painterly techniques to breathe life into your renders.

Whether you are a painter or a modeler, this course provides what you need to turn structures into stories.

Stylized

Environment

Painting

CHAPTERS

Course Structure

CHAPTER 0: Artist Intro

5 lectures

32min

CHAPTER 0: Artist Intro

5 lectures

32min

CHAPTER 1: Art and Design theory

7 lectures

82min

00 INTRO CHAPTER 1

00:52

01 What is a style

17:52

02 Fundamentals

3:10

03 Stylised vs reaslim

10:55

04 Problem solving

22:43

05 Story telling

12:53

06 How to simplify

11:57

FIRST ASSIGNMENT

1:22

CHAPTER 1: Art and Design theory

7 lectures

82min

00 INTRO CHAPTER 1

00:52

01 What is a style

17:52

02 Fundamentals

3:10

03 Stylised vs reaslim

10:55

04 Problem solving

22:43

05 Story telling

12:53

06 How to simplify

11:57

FIRST ASSIGNMENT

1:22

CHAPTER 2: Architecture Styles

4 lectures

24min

CHAPTER 2: Architecture Styles

4 lectures

24min

CHAPTER 3: Styles in Painting

4 lectures

13min

CHAPTER 3: Styles in Painting

4 lectures

13min

CHAPTER 4: References

4 lectures

13min

CHAPTER 4: References

4 lectures

13min

CHAPTER 5: Sketching for 2D

7 lectures

43min

CHAPTER 5: Sketching for 2D

7 lectures

43min

CHAPTER 6: Colors and volumes

11 lectures

57min

CHAPTER 6: Colors and volumes

11 lectures

57min

CHAPTER 7: Details

7 lectures

37min

CHAPTER 7: Details

7 lectures

37min

CHAPTER 8: Sketching for 3D

7 lectures

18min

CHAPTER 8: Sketching for 3D

7 lectures

18min

CHAPTER 9: 3D modeling

6 lectures

114min

CHAPTER 10: 3D Paintover

7 lectures

261min

Meet your mentor

Ulysse Verhasselt

Valorant, Fortnite, Ember

Finnish

From

Netflix

Riot

Amazon

+

With 10+ years of experience as a concept artist and educator, I specialize in stylized environments for major titles like Valorant and Fortnite. My passion is sharing deep art knowledge to guide students on their creative journey.

see mentorship

Assignments

WHAT YOU WILL BUILD DURING THIS COURSE

Assignment 1: Simplified architecture studies
Create 1 to 5 studies, focused on radical simplification, try to interpret not copy directly. Pick well you reference, take one that you find challenging and interesting, an architecture reference would suit the course best. Focus on values and readability, the shapes needs to be readable, try to use brushes without opacity to make clear intentional brushstrokes. Simplify complex informations and make sure your focal point is readable and interesting to look at. This exercise will help you leverage the strength of values by focusing on focal points and establishing a hierarchy of details. Ultimately it will allow you to create more readable and striking images.
Assignment 2: 2D environment concept
You will create a 2D environment based on a real life location, in my demo I have created a façade design line-up, but feel free to re-use this technique for your own goals. The most important is that the concept you create is based on a real location, in order to really dig as much information as possible from the references. Make sure to pick a subject that really means something to you. Take time at each steps whether it is to gather reference or doing your sketch. There is no rush. The technique seen in the course are made to be flexible and help you as you go through your steps to create the best outcome possible. Rendering can be long, but is worth the time invested. Try to personify your design and put some of yourself and your interest in it to bring the most out of it!
Assignment 3: 3D environment illustration
For this assignment you will create an environment illustration combining a 2D and 3D workflow. Gather your references of a building and architectural elements you want to centre your image on. I would advise to use your own references if possible for maximum authenticity and ability to take photos of many angles, that will help for the 3D. Even if you have no previous 3D experience you should be able to get a base that will help create your image. So do not be scared to dip into it, I try my best to explain all my workflow in detail. Keep it simple, we will only use 3D as a base for perspective, colours and light direction, most of the work will then be done with the paint over. The simpler the 3D, the easiest it will be to paint over it. Once the 3D is done, remember to paint over everything with a first layer of painting that will drive the direction of your stylisation. While overpainting, look out for flat surfaces that are too uniform and edges that are too sharp. Those tend to look very 3D and you need to break them with the paint over to cut the stiffness of the 3D. Create an environment you are passioned about, plan well your composition and focal points, don't forget to add some wear and tear for anthenticity and you'll end up with an image you are proud of!
Assignment 1: Simplified architecture studies
Create 1 to 5 studies, focused on radical simplification, try to interpret not copy directly. Pick well you reference, take one that you find challenging and interesting, an architecture reference would suit the course best. Focus on values and readability, the shapes needs to be readable, try to use brushes without opacity to make clear intentional brushstrokes. Simplify complex informations and make sure your focal point is readable and interesting to look at. This exercise will help you leverage the strength of values by focusing on focal points and establishing a hierarchy of details. Ultimately it will allow you to create more readable and striking images.
Assignment 2: 2D environment concept
You will create a 2D environment based on a real life location, in my demo I have created a façade design line-up, but feel free to re-use this technique for your own goals. The most important is that the concept you create is based on a real location, in order to really dig as much information as possible from the references. Make sure to pick a subject that really means something to you. Take time at each steps whether it is to gather reference or doing your sketch. There is no rush. The technique seen in the course are made to be flexible and help you as you go through your steps to create the best outcome possible. Rendering can be long, but is worth the time invested. Try to personify your design and put some of yourself and your interest in it to bring the most out of it!
Assignment 3: 3D environment illustration
For this assignment you will create an environment illustration combining a 2D and 3D workflow. Gather your references of a building and architectural elements you want to centre your image on. I would advise to use your own references if possible for maximum authenticity and ability to take photos of many angles, that will help for the 3D. Even if you have no previous 3D experience you should be able to get a base that will help create your image. So do not be scared to dip into it, I try my best to explain all my workflow in detail. Keep it simple, we will only use 3D as a base for perspective, colours and light direction, most of the work will then be done with the paint over. The simpler the 3D, the easiest it will be to paint over it. Once the 3D is done, remember to paint over everything with a first layer of painting that will drive the direction of your stylisation. While overpainting, look out for flat surfaces that are too uniform and edges that are too sharp. Those tend to look very 3D and you need to break them with the paint over to cut the stiffness of the 3D. Create an environment you are passioned about, plan well your composition and focal points, don't forget to add some wear and tear for anthenticity and you'll end up with an image you are proud of!
Assignment 1: Simplified architecture studies
Create 1 to 5 studies, focused on radical simplification, try to interpret not copy directly. Pick well you reference, take one that you find challenging and interesting, an architecture reference would suit the course best. Focus on values and readability, the shapes needs to be readable, try to use brushes without opacity to make clear intentional brushstrokes. Simplify complex informations and make sure your focal point is readable and interesting to look at. This exercise will help you leverage the strength of values by focusing on focal points and establishing a hierarchy of details. Ultimately it will allow you to create more readable and striking images.
Assignment 2: 2D environment concept
You will create a 2D environment based on a real life location, in my demo I have created a façade design line-up, but feel free to re-use this technique for your own goals. The most important is that the concept you create is based on a real location, in order to really dig as much information as possible from the references. Make sure to pick a subject that really means something to you. Take time at each steps whether it is to gather reference or doing your sketch. There is no rush. The technique seen in the course are made to be flexible and help you as you go through your steps to create the best outcome possible. Rendering can be long, but is worth the time invested. Try to personify your design and put some of yourself and your interest in it to bring the most out of it!
Assignment 3: 3D environment illustration
For this assignment you will create an environment illustration combining a 2D and 3D workflow. Gather your references of a building and architectural elements you want to centre your image on. I would advise to use your own references if possible for maximum authenticity and ability to take photos of many angles, that will help for the 3D. Even if you have no previous 3D experience you should be able to get a base that will help create your image. So do not be scared to dip into it, I try my best to explain all my workflow in detail. Keep it simple, we will only use 3D as a base for perspective, colours and light direction, most of the work will then be done with the paint over. The simpler the 3D, the easiest it will be to paint over it. Once the 3D is done, remember to paint over everything with a first layer of painting that will drive the direction of your stylisation. While overpainting, look out for flat surfaces that are too uniform and edges that are too sharp. Those tend to look very 3D and you need to break them with the paint over to cut the stiffness of the 3D. Create an environment you are passioned about, plan well your composition and focal points, don't forget to add some wear and tear for anthenticity and you'll end up with an image you are proud of!
Assignment 1: Simplified architecture studies
Create 1 to 5 studies, focused on radical simplification, try to interpret not copy directly. Pick well you reference, take one that you find challenging and interesting, an architecture reference would suit the course best. Focus on values and readability, the shapes needs to be readable, try to use brushes without opacity to make clear intentional brushstrokes. Simplify complex informations and make sure your focal point is readable and interesting to look at. This exercise will help you leverage the strength of values by focusing on focal points and establishing a hierarchy of details. Ultimately it will allow you to create more readable and striking images.
Assignment 2: 2D environment concept
You will create a 2D environment based on a real life location, in my demo I have created a façade design line-up, but feel free to re-use this technique for your own goals. The most important is that the concept you create is based on a real location, in order to really dig as much information as possible from the references. Make sure to pick a subject that really means something to you. Take time at each steps whether it is to gather reference or doing your sketch. There is no rush. The technique seen in the course are made to be flexible and help you as you go through your steps to create the best outcome possible. Rendering can be long, but is worth the time invested. Try to personify your design and put some of yourself and your interest in it to bring the most out of it!
Assignment 3: 3D environment illustration
For this assignment you will create an environment illustration combining a 2D and 3D workflow. Gather your references of a building and architectural elements you want to centre your image on. I would advise to use your own references if possible for maximum authenticity and ability to take photos of many angles, that will help for the 3D. Even if you have no previous 3D experience you should be able to get a base that will help create your image. So do not be scared to dip into it, I try my best to explain all my workflow in detail. Keep it simple, we will only use 3D as a base for perspective, colours and light direction, most of the work will then be done with the paint over. The simpler the 3D, the easiest it will be to paint over it. Once the 3D is done, remember to paint over everything with a first layer of painting that will drive the direction of your stylisation. While overpainting, look out for flat surfaces that are too uniform and edges that are too sharp. Those tend to look very 3D and you need to break them with the paint over to cut the stiffness of the 3D. Create an environment you are passioned about, plan well your composition and focal points, don't forget to add some wear and tear for anthenticity and you'll end up with an image you are proud of!

Assignment 1: Simplified architecture studies
Create 1 to 5 studies, focused on radical simplification, try to interpret not copy directly. Pick well you reference, take one that you find challenging and interesting, an architecture reference would suit the course best. Focus on values and readability, the shapes needs to be readable, try to use brushes without opacity to make clear intentional brushstrokes. Simplify complex informations and make sure your focal point is readable and interesting to look at. This exercise will help you leverage the strength of values by focusing on focal points and establishing a hierarchy of details. Ultimately it will allow you to create more readable and striking images.
Assignment 2: 2D environment concept
You will create a 2D environment based on a real life location, in my demo I have created a façade design line-up, but feel free to re-use this technique for your own goals. The most important is that the concept you create is based on a real location, in order to really dig as much information as possible from the references. Make sure to pick a subject that really means something to you. Take time at each steps whether it is to gather reference or doing your sketch. There is no rush. The technique seen in the course are made to be flexible and help you as you go through your steps to create the best outcome possible. Rendering can be long, but is worth the time invested. Try to personify your design and put some of yourself and your interest in it to bring the most out of it!
Assignment 3: 3D environment illustration
For this assignment you will create an environment illustration combining a 2D and 3D workflow. Gather your references of a building and architectural elements you want to centre your image on. I would advise to use your own references if possible for maximum authenticity and ability to take photos of many angles, that will help for the 3D. Even if you have no previous 3D experience you should be able to get a base that will help create your image. So do not be scared to dip into it, I try my best to explain all my workflow in detail. Keep it simple, we will only use 3D as a base for perspective, colours and light direction, most of the work will then be done with the paint over. The simpler the 3D, the easiest it will be to paint over it. Once the 3D is done, remember to paint over everything with a first layer of painting that will drive the direction of your stylisation. While overpainting, look out for flat surfaces that are too uniform and edges that are too sharp. Those tend to look very 3D and you need to break them with the paint over to cut the stiffness of the 3D. Create an environment you are passioned about, plan well your composition and focal points, don't forget to add some wear and tear for anthenticity and you'll end up with an image you are proud of!
Assignment 1: Simplified architecture studies
Create 1 to 5 studies, focused on radical simplification, try to interpret not copy directly. Pick well you reference, take one that you find challenging and interesting, an architecture reference would suit the course best. Focus on values and readability, the shapes needs to be readable, try to use brushes without opacity to make clear intentional brushstrokes. Simplify complex informations and make sure your focal point is readable and interesting to look at. This exercise will help you leverage the strength of values by focusing on focal points and establishing a hierarchy of details. Ultimately it will allow you to create more readable and striking images.
Assignment 2: 2D environment concept
You will create a 2D environment based on a real life location, in my demo I have created a façade design line-up, but feel free to re-use this technique for your own goals. The most important is that the concept you create is based on a real location, in order to really dig as much information as possible from the references. Make sure to pick a subject that really means something to you. Take time at each steps whether it is to gather reference or doing your sketch. There is no rush. The technique seen in the course are made to be flexible and help you as you go through your steps to create the best outcome possible. Rendering can be long, but is worth the time invested. Try to personify your design and put some of yourself and your interest in it to bring the most out of it!
Assignment 3: 3D environment illustration
For this assignment you will create an environment illustration combining a 2D and 3D workflow. Gather your references of a building and architectural elements you want to centre your image on. I would advise to use your own references if possible for maximum authenticity and ability to take photos of many angles, that will help for the 3D. Even if you have no previous 3D experience you should be able to get a base that will help create your image. So do not be scared to dip into it, I try my best to explain all my workflow in detail. Keep it simple, we will only use 3D as a base for perspective, colours and light direction, most of the work will then be done with the paint over. The simpler the 3D, the easiest it will be to paint over it. Once the 3D is done, remember to paint over everything with a first layer of painting that will drive the direction of your stylisation. While overpainting, look out for flat surfaces that are too uniform and edges that are too sharp. Those tend to look very 3D and you need to break them with the paint over to cut the stiffness of the 3D. Create an environment you are passioned about, plan well your composition and focal points, don't forget to add some wear and tear for anthenticity and you'll end up with an image you are proud of!
Assignment 1: Simplified architecture studies
Create 1 to 5 studies, focused on radical simplification, try to interpret not copy directly. Pick well you reference, take one that you find challenging and interesting, an architecture reference would suit the course best. Focus on values and readability, the shapes needs to be readable, try to use brushes without opacity to make clear intentional brushstrokes. Simplify complex informations and make sure your focal point is readable and interesting to look at. This exercise will help you leverage the strength of values by focusing on focal points and establishing a hierarchy of details. Ultimately it will allow you to create more readable and striking images.
Assignment 2: 2D environment concept
You will create a 2D environment based on a real life location, in my demo I have created a façade design line-up, but feel free to re-use this technique for your own goals. The most important is that the concept you create is based on a real location, in order to really dig as much information as possible from the references. Make sure to pick a subject that really means something to you. Take time at each steps whether it is to gather reference or doing your sketch. There is no rush. The technique seen in the course are made to be flexible and help you as you go through your steps to create the best outcome possible. Rendering can be long, but is worth the time invested. Try to personify your design and put some of yourself and your interest in it to bring the most out of it!
Assignment 3: 3D environment illustration
For this assignment you will create an environment illustration combining a 2D and 3D workflow. Gather your references of a building and architectural elements you want to centre your image on. I would advise to use your own references if possible for maximum authenticity and ability to take photos of many angles, that will help for the 3D. Even if you have no previous 3D experience you should be able to get a base that will help create your image. So do not be scared to dip into it, I try my best to explain all my workflow in detail. Keep it simple, we will only use 3D as a base for perspective, colours and light direction, most of the work will then be done with the paint over. The simpler the 3D, the easiest it will be to paint over it. Once the 3D is done, remember to paint over everything with a first layer of painting that will drive the direction of your stylisation. While overpainting, look out for flat surfaces that are too uniform and edges that are too sharp. Those tend to look very 3D and you need to break them with the paint over to cut the stiffness of the 3D. Create an environment you are passioned about, plan well your composition and focal points, don't forget to add some wear and tear for anthenticity and you'll end up with an image you are proud of!
Assignment 1: Simplified architecture studies
Create 1 to 5 studies, focused on radical simplification, try to interpret not copy directly. Pick well you reference, take one that you find challenging and interesting, an architecture reference would suit the course best. Focus on values and readability, the shapes needs to be readable, try to use brushes without opacity to make clear intentional brushstrokes. Simplify complex informations and make sure your focal point is readable and interesting to look at. This exercise will help you leverage the strength of values by focusing on focal points and establishing a hierarchy of details. Ultimately it will allow you to create more readable and striking images.
Assignment 2: 2D environment concept
You will create a 2D environment based on a real life location, in my demo I have created a façade design line-up, but feel free to re-use this technique for your own goals. The most important is that the concept you create is based on a real location, in order to really dig as much information as possible from the references. Make sure to pick a subject that really means something to you. Take time at each steps whether it is to gather reference or doing your sketch. There is no rush. The technique seen in the course are made to be flexible and help you as you go through your steps to create the best outcome possible. Rendering can be long, but is worth the time invested. Try to personify your design and put some of yourself and your interest in it to bring the most out of it!
Assignment 3: 3D environment illustration
For this assignment you will create an environment illustration combining a 2D and 3D workflow. Gather your references of a building and architectural elements you want to centre your image on. I would advise to use your own references if possible for maximum authenticity and ability to take photos of many angles, that will help for the 3D. Even if you have no previous 3D experience you should be able to get a base that will help create your image. So do not be scared to dip into it, I try my best to explain all my workflow in detail. Keep it simple, we will only use 3D as a base for perspective, colours and light direction, most of the work will then be done with the paint over. The simpler the 3D, the easiest it will be to paint over it. Once the 3D is done, remember to paint over everything with a first layer of painting that will drive the direction of your stylisation. While overpainting, look out for flat surfaces that are too uniform and edges that are too sharp. Those tend to look very 3D and you need to break them with the paint over to cut the stiffness of the 3D. Create an environment you are passioned about, plan well your composition and focal points, don't forget to add some wear and tear for anthenticity and you'll end up with an image you are proud of!

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Questions & Answers

Emilie offers 1-on-1 sessions focused on:

How are your Masterclasses produced?

We take a "slow-cooking" approach to education. Each Masterclass is the result of a rigorous 6 to 9-month collaboration with the artist. We believe in capturing the artist in their element, so roughly half of the course is recorded from the comfort of their own home studio—allowing them to dive deep into technical demonstrations without distraction. The other half is produced in our studio in Paris, where we work with them to structure the curriculum, film high-quality interviews, and ensure the teaching methodology is crystal clear.

Will these courses actually help me get a job? 

That’s our ultimate goal, yes. Every course and mentorship is designed with industry outcomes in mind. That means we teach the skills and workflows studios are looking for, from foundational stuff like perspective, form language, and iteration, to pipeline skills like kitbashing 3D models or paint-over techniques for speed. Importantly, we focus on helping you create portfolio pieces that stand out. By the time you finish a course, you should have at least one solid project for your portfolio, and if you go through a full track of courses or a mentorship, you’ll be assembling a portfolio tailored to the role you want. We also cover professional development topics (e.g. how to present your portfolio, how to handle feedback, etc.). In our community, we regularly share job postings and even conduct portfolio reviews and mock interviews. Ultimately, your effort + our guidance = the result. We can’t guarantee a job (no school can), but we can confidently say we give you the training you need to build a job-winning portfolio.

Do I need any prior skills or software knowledge? 

Not much, but you do need drive. We designed our courses so that a motivated beginner can follow along, but some basic drawing experience helps. You should be familiar with fundamental art concepts like perspective and lighting (even at a rudimentary level) and comfortable with digital art software (Adobe Photoshop is most common in our workflow). Don’t worry if you’re new to certain tools, we often include intro lessons for software, and our community will help you pick up technical skills. The key is having strong fundamentals and willingness to learn. If you’re starting from zero art knowledge, we might recommend you do a bit of basic drawing practice first, but many of our beginners have been self-taught hobbyists before they join. As for hardware/software: a drawing tablet and a computer that can run art programs are essential; specific course tool requirements (like Blender for a 3D heavy course) will be noted in the course info, but generally Photoshop or an equivalent is used for most 2D concept art courses.

What is the difference between a Masterclass and a Live Class?

A Masterclass is a pre-recorded, self-paced product. Once you buy it, you have lifetime access to watch it whenever and wherever you want. A Live Class is a time-sensitive event with a fixed schedule (usually 6-8 weeks) where you learn alongside a cohort of students and the instructor in real-time.