Good afternoon,
CHAPTER 0: Artist Introduction
CHAPTER 1: Course Introduction
CHAPTER 2: Design Intent
CHAPTER 3: Briefs and Refs
CHAPTER 4: Building The Blueprint
CHAPTER 5: 3D Bockout
Intro Chapter 5
2:21
01. We Build
2:42
02. My Blender Workspace
25:30
03. Setting Up the Blueprint
9:38
04. DAZ 3D Real Time
22:30
05. Import from DAZ 3D
11:10
06. Blender Modeling
25:50
07. Define Basic Texture
6:00
08. Minimalist Shader Sketch
8:41
09. Blocking Out the Design
1:14:50
10. Value Range
6:24
11. Lighting Scenarios That Work
8:31
12. Base Blockout Cheatsheet
3:59
Third Assignment by Ricardo Padierne
1:21
CHAPTER 6: Refined 3D
CHAPTER 7: Back to 2D
Degenesis, Titankill, Falcon
Third Assignment by Ricardo Padierne explained step by step in Ricardo Padierne's Character Design masterclass. Concept art training at ConceptCore.
You will select your strongest design from the previous explorations and translate it into 3D, building the base blockout. In my demo, I have moved forward with the 'Leader' archetype, but choose the sketch that you feel has the most potential. The most important goal here is not high-frequency detail, but capturing the correct volumes, proportions, and silhouette that you established in 2D. Interpreting a drawing into three-dimensional space requires problem-solving; you are building the foundation upon which everything else will stand. Take your time to ensure the 'attitude' of the sketch survives the transition to 3D. There is no rush. A solid blockout now will save you hours of headache later. Focus on the primary forms and make sure your character feels grounded!
Degenesis, Titankill, Falcon
Third Assignment by Ricardo Padierne explained step by step in Ricardo Padierne's Character Design masterclass. Concept art training at ConceptCore.
You will select your strongest design from the previous explorations and translate it into 3D, building the base blockout. In my demo, I have moved forward with the 'Leader' archetype, but choose the sketch that you feel has the most potential. The most important goal here is not high-frequency detail, but capturing the correct volumes, proportions, and silhouette that you established in 2D. Interpreting a drawing into three-dimensional space requires problem-solving; you are building the foundation upon which everything else will stand. Take your time to ensure the 'attitude' of the sketch survives the transition to 3D. There is no rush. A solid blockout now will save you hours of headache later. Focus on the primary forms and make sure your character feels grounded!
15 chapters
15 chapters
9 chapters